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Opera

Vivaldi - Sento in seno ch'in pioggia di lagrime

HoltWasHere

2:03	Est. Play Time
80	Measures
	1,086Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	74	6	2	100%
	21	23	2	2	98%
Voice	13	0	4	8	60%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	74	6	2	100%
	21	23	2	2	98%
Voice	13	0	4	8	60%

The Phantom of the Opera

musikmann

4:02	Est. Play Time
121	Measures
	2,711Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	14	11	5	18%
	1	0	0	1	1%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	14	11	5	18%
	1	0	0	1	1%
	23	1	9	2	100%
Electric Bass	20	0	6	2	100%
Violoncello	18	0	3	3	77%
Contrabass	18	0	3	2	75%
Christine	29	0	3	7	57%
Electric Guitar	35	20	11	9	40%
Phantom	20	0	3	5	36%
Violin 1	25	0	3	7	30%
B♭ Trumpet 1	16	0	6	6	19%
Trombone 1	13	0	5	6	19%
Violin 2	24	0	3	7	17%
B♭ Trumpet 2	16	0	4	6	16%
F Horn 1 amp;amp; 3	13	0	6	4	12%
Viola	9	0	1	6	12%
Timpani	5	0	0	2	12%
Flute 1	9	0	3	6	11%
Trombone 2	11	0	4	5	11%
Flute 2	9	0	2	6	9%
F Horn 2 amp;amp; 4	13	0	5	4	7%
Tuba	12	0	3	4	7%
Oboe 1	8	0	2	6	7%
B♭ Clarinet 1	10	0	2	4	5%
B♭ Clarinet 2	7	0	2	4	5%
Bassoon 1	8	0	2	4	5%
Bassoon 2	10	0	2	4	5%
Oboe 2	10	0	3	4	5%

HWV1A3N4 - Du stolzer Erdenkreis!

edward.maurath

2:22	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
Bassoon Continuo	13	0	1	4	100%
Violoncello Continuo	13	0	1	4	92%
Violone Continuo	13	0	1	4	92%
Oboe	15	0	1	4	82%
Tutti Unisoni	15	0	1	4	82%
Bass as Consalvo	11	0	2	5	60%

The Naval Battle

CelticRose

0:14	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn	7	0	2	2	75%
	7	0	2	2	75%
View all 16 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn	7	2	2	75%
	7	2	2	75%
	7	2	2	75%
	7	2	2	75%
B Trumpet	6	2	2	50%
	6	2	2	50%
Double Basses	3	1	1	50%
Flute	17	4	2	50%
Piccolo	17	4	2	50%
Timpani	1	0	2	50%
Violas	3	1	1	50%
Violins 1	17	4	2	50%
Violins 2	17	4	2	50%
Violoncellos	3	1	1	50%
F Tuba	4	2	2	25%
Oboe	3	1	1	25%

AÏDA de Verdi : Chœurs Partie 10/10 Acte 4 : Finale ultimo

Papibois

3:33	Est. Play Time
61	Measures
	1,036Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	37	9	9	99%
	33	27	8	5	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	37	9	9	99%
	33	27	8	5	96%
Aïda	15	0	2	9	70%
Radamès	14	0	2	9	62%
Prêtres Bas	9	4	2	9	48%
Prêtresses Sop	11	5	3	9	48%
Prêtres Ten	10	6	2	9	41%
Amnéris	7	0	1	6	18%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - BASSE

Papibois

2:13	Est. Play Time
75	Measures
	1,171Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenor 1	13	0	2	4	92%
Tenor 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basse	10	1	2	4	87%
Soprano 2	13	0	4	4	87%
Gianetta	9	0	0	4	55%

Fortuna Imperatrix Mundi: O Fortuna

trolol3000

2:12	Est. Play Time
51	Measures
	4,687Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	2	0	0	5	100%
	3	0	0	5	100%
View all 29 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	2	0	0	5	100%
	3	0	0	5	100%
	5	0	1	5	100%
Alto	12	0	3	4	100%
Baritone	9	0	2	4	100%
Bass	8	6	2	4	100%
Bass Trombone	2	0	0	5	100%
Bassoon 1	5	0	0	6	100%
Bassoon 2	7	0	1	6	100%
B Clarinet 1	11	0	1	5	100%
B Clarinet 2	10	0	0	4	100%
Contrabass	2	0	0	5	100%
Horn 3 4	11	4	3	4	100%
Oboe 1	11	0	1	4	100%
Oboe 2	12	0	2	5	100%
Soprano	12	5	2	4	100%
Tenor	13	10	3	4	100%
Timpani	5	0	0	6	100%
Viola	7	1	1	4	100%
Violin 1	14	9	4	4	100%
Violin 2	17	9	5	4	100%
Violoncello	5	0	1	5	100%
Contrabassoon	4	0	0	5	92%
B Trumpet 1	11	3	2	4	53%
B Trumpet 2	11	4	1	5	53%
Flute 1	10	0	2	4	53%
Flute 2	6	0	1	4	53%
Horn 1 2	11	4	3	4	53%
Piccolo	5	0	0	3	22%

HWV1A2N23 - Ich kann nicht mehr verschuriegen

edward.maurath

1:26	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
	14	1	3	3	78%
Viola	9	0	2	3	78%
Violin 1	8	0	1	3	78%
Violin 2	7	0	2	3	78%
Violoncello Continuo	12	0	3	3	78%
Bassoon Continuo	11	0	2	3	74%

Dido and Æneas, No.31: Chorus - Destruction's our delight

Voorburgs Operakoor

2:24	Est. Play Time
88	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	60	6	7	100%
	28	20	6	6	96%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	60	6	7	100%
	28	20	6	6	96%
A	12	0	2	5	35%
B	12	0	2	5	35%
S	10	0	1	4	35%
T	11	0	1	5	35%

HWV27A3N20 - Arsace Recitative, "Passo di duolo in duolo"

edward.maurath

0:16	Est. Play Time
4	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	9	3	1	2	100%
	8	4	2	2	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	9	3	1	2	100%
	8	4	2	2	100%
Harpsichord	9	3	1	2	100%
	8	4	2	2	100%
Violoncello	5	0	1	2	100%
Flute	7	0	0	3	75%

HWV8A1N9a - "Di goder il bel ch'adoro" (F Major for Dorinda)

edward.maurath

1:48	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
Violin 1	14	0	1	6	92%
Violin 2	15	0	1	7	92%
Violoncello	15	0	2	5	79%
Dorinda	11	0	2	6	77%
Contrabasses	13	0	2	4	64%
Violoncellos	13	0	2	4	64%

HWV5A2N11 - "Mà Rodrigo"

edward.maurath

0:52	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rodrigo	11	0	2	3	94%
Lute (Continuo)	9	10	2	1	88%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rodrigo	11	0	2	3	94%
Lute (Continuo)	9	10	2	1	88%
	18	17	4	3	88%
Violoncello (Continuo)	9	0	2	3	88%
Cembalo (Continuo)	3	0	0	1	31%
	15	9	2	3	44%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE

Papibois

1:14	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
Tenor 1	13	0	2	4	93%
Tenor 2	13	0	3	4	93%
Soprano 1	15	0	5	4	89%
Soprano 2	16	0	4	4	89%
Basse	10	1	2	4	87%
Gianetta	11	0	0	4	76%
Nemorino	11	0	2	4	70%

HWV1A3N44 "Hoffe nur der rechten Zeit" (choral fragment)

edward.maurath

0:40	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	13	3	5	100%
	12	10	2	5	92%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	13	3	5	100%
	12	10	2	5	92%
Organ	12	13	3	5	100%
	12	10	2	5	92%
Soprano	8	1	1	5	77%
Bassoon	9	0	0	5	75%
	9	0	0	5	75%
Celli	7	0	0	5	75%
Kontrebaß	7	0	0	5	75%
Tenor	8	0	3	5	70%
Bass	9	0	0	5	67%
Viole	3	0	0	5	67%
Violini	12	0	2	5	67%
Oboe	9	0	2	5	55%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	1	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%